http://www.jewishbookcouncil.org/_blog/The_ProsenPeople/post/immerse-yourself/
All week in honor of the release of THE MAPMAKER’S DAUGHTER, I am blogging for the Jewish Book Council. Check out my first post, about the ritual bath known as the mikveh and its role in my book, and my own life.
We’re down to the home stretch before the publication of THE MAPMAKER’S DAUGHTER! To sweeten the wait for me was the news that another major reviewer, Kirkus, has given the book a thumbs up. That’s all four of the biggest early reviewers, and four positive reviews. I won’t post the entire Kirkus review here because there are a lot of plot spoilers, but here’s the other content:
“Corona’s latest historical novel is a sprawling saga of Jewish identity and religious freedom in 15th-century Spain.”
“The richness of this life is a revelation.”
“A rich, exhaustively researched portrait of Spanish Jews at the birth of the Inquisition.”
If you are local to the San Diego or San Francisco Bay areas, I have a number of upcoming appearances, as well as one in Kingston New York in June. Take a look at the calendar section on this website for details. Thanks as always for your support!
THE MAPMAKER’S DAUGHTER comes out three weeks from today. In celebration, here’s another excerpt:
We are not the only traveler to Lisbon that summer. Nearing the city we hear rumors of people dying of plague in cities to the north, and on the outskirts of Setúbal, we see columns of people leaving the city. “Don’t go in,” they tell us. A man points to the haze on the skyline behind the city. “They’re burning corpses. The cemeteries can’t keep up with the dead.”
I toss that night on a straw mattress in the sweltering attic of an inn, whose windows are sealed tight to keep out the disease. The rats scurrying across the roof sound as big as squirrels, and the droppings on the floor make my heart pound at the thought that they have a way of getting in. The vision of their yellow teeth, beady eyes, and wormlike tails is so unnerving that I sleep the rest of the night in a chair with my feet curled up so they can’t run across my toes.
By the next nightfall we have found only a deserted farmhouse, where we devour a bottle of wine, part of a round of cheese, and dry sausages we find in the larder. The next day we leave a few coins to reassure ourselves that the owners must be briefly away rather than lying dead somewhere of the plague.
East of the fishing villages at the mouth of the Tagus River, we see a family huddled by the side of the road. The woman is slumped in her husband’s arms, while next to them a small girl holds a crying baby. The man’s shirt has been torn away, revealing horrible black swellings on his neck and back. His eyes are haunted and wracked with pain. His wife turns to me, and I see a bloody froth escape from between her pale lips.
Our guards cry out in horror and send their horses at a gallop. I call out after them to stop. How can we leave children there, with their parents dying? My father’s expression is a mix of revulsion, fear, and grief. He makes a cutting motion across his throat and gestures to me to follow as he gallops away behind the guards.
He is right, I know. Taking the children with us will not save them, and I can’t comfort them without dooming all of us. Still, I see the little girl’s terrified eyes and hear the baby’s wails for hours.
Less than one month until publication. Thought you might enjoy reading a little passage.
“Senhorita Riba?” Judah Abravanel is standing a few steps away. “My wife sent me to see if you were all right.” I dab my eyes with my sleeve. “I’m sorry,” I say. “I’m not a very good guest.”
“You are the guest I expected you to be.” His eyes are solemn. “Does this have to do with what you started to tell me the other day?”
“I’m not sure what that was.”
“Perhaps I can help. I think what you pretend to be is not who you really are.” He gestures to the mosaic design in the fountain. “Like this,” he says. “You might say, ‘this is a fish,’ or ‘this is a flower,’ but they’re shattered pieces put together to look like what they’re supposed to be.”
“I am supposed to be a Jew,” I tell him, surprised that I have said it aloud. […] “My sisters don’t have any trouble believing in the Hanged One, but I can’t. I tried for a while, but it didn’t work.”
“And now you can’t be either a Jew or a Christian, while all around you everyone seems to care a great deal about which one everybody is.”
“I think I would like to live as a Jew someday,” I blurt out. “Openly, I mean.”
“Your father should live his remaining days in peace. He’s done everything he could to keep his family safe, and you should respect that.” “But when he’s gone?” I ask. “What about then?” “Don’t do anything drastic that you can’t take back.”
I feel as if he has stolen something from me, but then again he doesn’t know my secret. “Actually,” I say, “my baptism might not count. My mother washed it away in the mikveh, and then the church records burned. Maybe I can still choose for myself.”
Judah’s face is grave. “There are people who would drag you to church to splash you with their water the minute they hear this. You’re best off never mentioning it again.” He thinks for a moment. “The Holy One works in strange ways. Perhaps you have a different fate from what seems possible now.”
Chana and Rahel run into the garden. “Papa,” Chana says, her arms reaching only part way around his belly. “What’s taking you so long? We’ve been ready to sing for hours!”
“Well, then,” he says. “We won’t keep you waiting any longer.” The girls’ laughter is like music as they lead him into the house.
Another strong review of THE MAPMAKER’S DAUGHTER, this one from Publisher’s Weekly:
Amalia is descended from a long line of famed Spanish cartographers, including her father, who has spent his life making maps for Spanish royalty. As the Spanish court in the 15th century moves to persecute those who live openly as Jews, Amalia’s family changes its name, attends church, and swaps its mezuzah for a crucifix, though behind closed doors, they continue to practice their faith. When her father receives a commission to help Henry the Navigator, a Portuguese prince, map the newly explored African coast, Amalia accompanies him to Portugal. As she grows to womanhood, Amalia’s Jewish identity is strengthened by her enduring friendship with the poet Judah Abravanel and his family, the birth of her daughter, and a passionate (but doomed) affair with a Muslim poet. When she returns to Spain as an old woman, the political climate has further shifted, as Tomas de Torquemada spearheads the beginnings of the Spanish Inquisition. Through persecution and exile, Amalia clings to her identity as fiercely as she clings to the family atlas—a unique and priceless book created by her family and passed down through the generations. Occasional reminiscences from Amalia as an old woman stall the plot a bit, and the thematic connection to mapmaking is sometimes tenuous. But Corona (Finding Emilie) depicts the time period in great detail, and a cast of richly drawn characters adds further depth to a fascinating look at an era rarely explored in historical fiction.
Just received a wonderful review for THE MAPMAKER’S DAUGHTER, from BookList:
“It’s January 1492, and the king and queen of Spain have issued an order expelling all Jews who refuse to convert to Christianity. With one day remaining to comply, 67-year-old Amalia Cresques waits alone in a room empty except for the chair she sits on. She is waiting for her grandson to arrive. Together, they plan to go into exile. She cannot bring her most treasured possession, a handmade atlas created by her father. As she contemplates her imminent departure, Amalia reviews her long and varied life as wife, mother, family matriarch, and converso, hiding her Jewish faith and forced to live as a Christian. Corona (Penelope’s Daughter, 2010) brings to life one of the most tumultuous periods in European history. Her Amalia is the perfect character through which readers will experience these turbulent times as she spends a lifetime struggling to honor her faith and survive. Vividly detailed and beautifully written, this is a pleasure to read, a thoughtful, deeply engaging story of the power of faith to navigate history’s rough terrain.”
This on the heels of another wonderful review from Library Journal:
“In her fourth historical novel, Corona (Penelope’s Daughter; Finding Emilie) imagines the life of a Jewish woman in 15th-century Spain. Starting life as a converso publicly living as a Christian while being secretly taught Jewish practices by her mother and grandmother, Amalia longs to follow openly the faith that she loves. She soon joins a Jewish community, but her life continues to be shaped by conflicts between religious belief and societal forces, first during a love affair with a Muslim man and then culminating in the Inquisition and expulsion of all Jews from Spain in 1492. VERDICT Despite the title, Amalia’s mapmaker father doesn’t play much of a role in the story, though one of Amalia’s most treasured possessions is an atlas he creates. The novel’s primary strength is Corona’s loving re-creation of the details of Jewish life during the era and the particular attention paid to the role of women in keeping religious rituals alive. Fans of C.W. Gortner’s The Queen’s Vow may especially enjoy getting a different perspective on Spanish monarchs Isabella and Ferdinand here.”
We are now under the two month mark for the publication of THE MAPMAKER’S DAUGHTER. The release date is March 4. If you want to enter a drawing for a free copy from Goodreads, there is still time (until January 23). Just click here.
The first major review is in, from Publishers Weekly, and it is very positive:
In her fourth historical novel, Corona (Penelope’s Daughter; Finding Emilie) imagines the life of a Jewish woman in 15th-century Spain. Starting life as a converso publicly living as a Christian while being secretly taught Jewish practices by her mother and grandmother, Amalia longs to follow openly the faith that she loves. She soon joins a Jewish community, but her life continues to be shaped by conflicts between religious belief and societal forces, first during a love affair with a Muslim man and then culminating in the Inquisition and expulsion of all Jews from Spain in 1492. VERDICT Despite the title, Amalia’s mapmaker father doesn’t play much of a role in the story, though one of Amalia’s most treasured possessions is an atlas he creates. The novel’s primary strength is Corona’s loving re-creation of the details of Jewish life during the era and the particular attention paid to the role of women in keeping religious rituals alive. Fans of C.W. Gortner’s The Queen’s Vow may especially enjoy getting a different perspective on Spanish monarchs Isabella and Ferdinand here.
Excitement is building, with many invitations to speak, blog and otherwise talk about the book. Watch my calendar for the latest, and if you have a book club, please remember that I love to attend groups in the San Diego area and talk to others by phone.
I love Thanksgiving. It is by far the best holiday for me. It’s one of the few where it doesn’t matter what religion you are, just that you identify with a common desire to pause and give thanks. We are so blessed. Even in our hardest times we are luckier than most people around the world for how much we have, not just materially, but in terms of reasons for optimism and belief in our ability to live effectively and improve our lives. I love Thanksgiving because it hasn’t been corrupted by gift giving (well, except by those who use it to kick off Christmas shopping). I love it because every ethnic group included the foods it makes them happy to eat–turkey and pancit, turkey and tamales, turkey and collard greens, turkey and injera. Yes, the food is good, but that’s not really it for me–it’s all of the above and more. Have a wonderful day!
Here we are, just a little over four months out from publication. I have received galleys of THE MAPMAKER’S DAUGHTER, and it looks just beautiful. It has been a wonderful experience working with my editor, Shana Drehs, and the rest of the team at Sourcebooks, and I look forward to a really special finished product.
Local speaking invitations have been coming in at a steady clip, and I look forward to the chance to talk about the book and the history of the Spanish Convivencia. Please take a look at the author’s introduction and synopsis pages for THE MAPMAKER’S DAUGHTER to understand why I think this is such an important and compelling subject.
I have received a great deal of praise from fellow authors, whose blurbs will appear on the cover or front pages. Here is a sampling:
“A riveting, often heart-rending tale set against the tragic backdrop of the expulsion of the Jews from Spain. Laurel Corona has crafted a heroine for all ages in Amalia, whose choices define an era of religious upheaval, courage, and sacrifice that still resonates today.” -C.W. Gortner, author of The Queen’s Vow.
Here is the entire cover for the galley of THE MAPMAKER’S DAUGHTER–a little bit tall and skinny. Hope it makes the wait just a little bit unbearable! You will be the first to know the details about activities in relation to the March 4 2014 release.
