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More Praise for THE MAPMAKER’S DAUGHTER

Another strong review of THE MAPMAKER’S DAUGHTER, this one from Publisher’s Weekly:

Amalia is descended from a long line of famed Spanish cartographers, including her father, who has spent his life making maps for Spanish royalty. As the Spanish court in the 15th century moves to persecute those who live openly as Jews, Amalia’s family changes its name, attends church, and swaps its mezuzah for a crucifix, though behind closed doors, they continue to practice their faith. When her father receives a commission to help Henry the Navigator, a Portuguese prince, map the newly explored African coast, Amalia accompanies him to Portugal. As she grows to womanhood, Amalia’s Jewish identity is strengthened by her enduring friendship with the poet Judah Abravanel and his family, the birth of her daughter, and a passionate (but doomed) affair with a Muslim poet. When she returns to Spain as an old woman, the political climate has further shifted, as Tomas de Torquemada spearheads the beginnings of the Spanish Inquisition. Through persecution and exile, Amalia clings to her identity as fiercely as she clings to the family atlas—a unique and priceless book created by her family and passed down through the generations. Occasional reminiscences from Amalia as an old woman stall the plot a bit, and the thematic connection to mapmaking is sometimes tenuous. But Corona (Finding Emilie) depicts the time period in great detail, and a cast of richly drawn characters adds further depth to a fascinating look at an era rarely explored in historical fiction.

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The Reviews are Good!

Just received a wonderful review for THE MAPMAKER’S DAUGHTER, from BookList:

“It’s January 1492, and the king and queen of Spain have issued an order expelling all Jews who refuse to convert to Christianity. With one day remaining to comply, 67-year-old Amalia Cresques waits alone in a room empty except for the chair she sits on. She is waiting for her grandson to arrive. Together, they plan to go into exile. She cannot bring her most treasured possession, a handmade atlas created by her father. As she contemplates her imminent departure, Amalia reviews her long and varied life as wife, mother, family matriarch, and converso, hiding her Jewish faith and forced to live as a Christian. Corona (Penelope’s Daughter, 2010) brings to life one of the most tumultuous periods in European history. Her Amalia is the perfect character through which readers will experience these turbulent times as she spends a lifetime struggling to honor her faith and survive. Vividly detailed and beautifully written, this is a pleasure to read, a thoughtful, deeply engaging story of the power of faith to navigate history’s rough terrain.”

This on the heels of another wonderful review from Library Journal:

“In her fourth historical novel, Corona  (Penelope’s Daughter; Finding Emilie) imagines the life of a Jewish woman in 15th-century Spain. Starting life as a converso publicly living as a Christian while being secretly taught Jewish practices by her mother and grandmother, Amalia longs to follow openly the faith that she loves. She soon joins a Jewish community, but her life continues to be shaped by conflicts between religious belief and societal forces, first during a love affair with a Muslim man and then culminating in the Inquisition and expulsion of all Jews from Spain in 1492. VERDICT Despite the title, Amalia’s mapmaker father doesn’t play much of a role in the story, though one of Amalia’s most treasured possessions is an atlas he creates. The novel’s primary strength is Corona’s loving re-creation of the details of Jewish life during the era and the particular attention paid to the role of women in keeping religious rituals aliveFans of C.W. Gortner’s The Queen’s Vow may especially enjoy getting a different perspective on Spanish monarchs Isabella and Ferdinand here.”

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Less than Two Months Now!

We are now under the two month mark for the publication of THE MAPMAKER’S DAUGHTER.  The release date is March 4.  If you want to enter a drawing for a free copy from Goodreads, there is still time (until January 23).  Just click here.

The first major review is in, from Publishers Weekly, and it is very positive:

In her fourth historical novel, Corona  (Penelope’s Daughter; Finding Emilie) imagines the life of a Jewish woman in 15th-century Spain. Starting life as a converso publicly living as a Christian while being secretly taught Jewish practices by her mother and grandmother, Amalia longs to follow openly the faith that she loves. She soon joins a Jewish community, but her life continues to be shaped by conflicts between religious belief and societal forces, first during a love affair with a Muslim man and then culminating in the Inquisition and expulsion of all Jews from Spain in 1492. VERDICT Despite the title, Amalia’s mapmaker father doesn’t play much of a role in the story, though one of Amalia’s most treasured possessions is an atlas he creates. The novel’s primary strength is Corona’s loving re-creation of the details of Jewish life during the era and the particular attention paid to the role of women in keeping religious rituals alive. Fans of C.W. Gortner’s The Queen’s Vow may especially enjoy getting a different perspective on Spanish monarchs Isabella and Ferdinand here.

Excitement is building, with many invitations to speak, blog and otherwise talk about the book.  Watch my calendar for the latest, and if you have a book club, please remember that I love to attend groups in the San Diego area and talk to others by phone.