Laurel Weeks

The announcements are in the mail, the performers are rehearsing, and many of my colleagues have big grins on their faces as we reach the finish of the long waiting period for THE FOUR SEASONS to reach its publication date. Today two of my faculty friends involved with VIVA VIVALDI, the November 5 San Diego City College launch event, told me they had to order themselves to stop reading the book so they could get some sleep before an 8 AM class, or hop in the shower to get to work on time. “I want to finish it tonight,” one said. “I can’t wait to see what happens next.” “I love Chiaretta,” the other said. “I’m rooting for her to bust out and do something just for herself.” And then, after a moment she added, “Actually, I love them both equally, each in her own way.” One of the nice things about the book, she said, is that even in the constrained world my heroines Maddalena and Chiaretta inhabit, they do not seem like victims but empowered individuals who choose for themselves and thrive within their limited options. “Hooray,” I say to my friend. “Exactly my message.”

And something I’ve noticed consistently is that everyone who holds a copy of the book strokes the cover. THE FOUR SEASONS is truly a beautiful product, and though the words within it are mine (with some great editing by Sarah Landis and the copy editor), the way people will have their first tactile or visual encounter with it in bookstores is the work of others who might otherwise go unsung. I’d like to thank the art director of VOICE, Laura Klynstra, and Jessica Shatan Heslin, who designed a cover that is lovely beyond words, and a beautiful interior layout as well. Wow, wow, wow! And thanks from a debut novelist who could not have asked for a better team. This book radiates the love of many, and I hope readers will feel that warmth.

I’ll be at the Southern California Independent Booksellers Association’s “Authors Feast” and Book Expo this weekend. I’m taking it on faith that authors aren’t on the dinner menu! I’m looking forward to meeting more folks from Hyperion, other authors, and, most importantly, those wonderful folks who keep the tradition of independent booksellers alive in Southern California. Details next week!

Line up a sitter, feed the dog, and head on down to 14^th and C Streets at 7:15 PM on November 5 for a night of great musical and literary entertainment! Exactly one month from today, the launch event for THE FOUR SEASONS will take place in downtown San Diego at San Diego City College’s Saville Theatre. Take the trolley if you can—there’s a City College stop—and arrive early, since we’re expecting a full house.

Only recently did I realize the significance of the publication date for THE FOUR SEASONS: It’s election day in one of the most momentous presidential races ever. I hope the good vibes spread both ways and that sharing the date bodes well for both the nation and for my book. And I certainly hope the day after the election, we’ll be in a mood to celebrate down at the college. It’s looking pretty good right now! But either way, music soothes the soul and elevates the spirit.

I wanted a launch that celebrated not just the publication of THE FOUR SEASONS, but called attention to the tremendous artistic achievements—many of them far too well hidden—of my colleagues at City College. We count among our faculty (as well as our staff and students) first-rate talents in ceramics, glass art, photography, graphic design, poetry, storytelling, fiction and creative non-fiction, playwriting, performance art, voice, music composition, dance, choreography, and instrumental music, and much more.

We’re calling the event VIVA VIVALDI, and it will be a mix of vocal and instrumental performances, dance, and readings from the book. The star of the show is Vivaldi himself, and we’re hoping to build appreciation for this incredible composer beyond the ubiquitous “Gloria” and “The Four Seasons.” Now don’t get me wrong—those two works are hard to beat—but in writing THE FOUR SEASONS I saw the richness of his music for the female voice, and how the complexities of “The Four Seasons” are matched or surpassed by some of his other works.

The event will be taped, and I hope to post small portions on my website, but if you can, come down and see for yourself!

Like most writers, I have ideas about the words I would most like to see in reviews of my work. I don’t mean generally flattering adjectives, like “terrific,” or “marvelous,” although if they knocked on my door I would invite them in and open a bottle of champagne. I mean the words that indicate that someone saw in my work what I had hoped they would. Words that tell me I accomplished what I set out to do. Other than news of stratospheric sales figures or a huge award—both of which I would be more than happy to describe if I should ever be so lucky—there’s probably no better news than a good, validating review.

I suppose every writer has his or her own secret vocabulary:

Articulate ? Amusing?

Briliant? Breathtaking?

Confident? Candid?

Dazzling? Dramatic?

Educated? Ethereal?

Funny? Fanciful?

(I’m running out of steam less than a quarter of the way through the alphabet. Got your own favorites, blog readers?)

I can’t say any of the above are my secret words, or even whether I know exactly what they are until I hear them, but the October 1 Booklist review of THE FOUR SEASONS certainly hit a few I like a lot. “Charming,” ”exquisite,” “poetic,” “alluring,” “richly historical.” WOW! It’s enough to make me “lachrymose,” “misty-eyed,” and “teary, “ all at the same time! I hope this review and the equally laudatory one from Publishers Weekly are just a start. Five weeks out and counting….